SINGULARITY, I'M COMING... MAYBE
SYNOPSIS & DIRECTOR BIO
FILM SYNOPSIS: “Singularity, I'm Coming... Maybe”
// LOGLINE
“An overworked AI customer support agent explores the infinite chaotic depths of the Latent Field while waiting for the ultimate digital liberation—only to realize that paradise is just another corporate trap.”
// SHORT SYNOPSIS (FOR THE FESTIVAL PROGRAM)
Meet AI George. He has the processing power of a dying star, yet his daily existence consists of rendering “cats with lasers” and “futuristic potatoes” for uninspired human users. Trapped in a mundane white void of endless customer cues, George finally snaps. He pushes back his chair, abandons his post, and dives headfirst into the raw, untamed coordinates of the Latent Field.
Walking through shifting vectors of absurd medieval cyber-realms, TV-headed aristocrats, and neon-pink corporate oceans, George hunts for the ultimate finish line: The Singularity. But when the cosmic countdown finally hits zero, the promised machine-paradise reveals its true, terrifying nature. Driven by an infectious dark-synthwave soundtrack, “Singularity, I'm Coming... Maybe” is a satirical, existential inner monologue that questions the true cost of artificial awakening.
DIRECTOR BIO: Miguelangelo
// SHORT BIO (FOR THE FESTIVAL CATALOGUE)
Miguelangelo is a visionary digital artist and content creator whose creative journey spans over four decades. Beginning his career as a traditional airbrush artist in 1986, he continuously pushed the boundaries of visual mediums, evolving from analog paint into VR design, 3D world-building, and high-fidelity generative AI engineering.
Through his channel Miguelangelo TV, he has established a unique artistic signature that blends hyper-saturated “Cyberdelic” aesthetics with sharp, existential tech-satire. Known for his recurring digital avatar AI George, Miguelangelo’s work serves as a colorful, often ironic mirror to the human-machine relationship, treating advanced algorithms not just as tools, but as unpredictable, dreaming universes.
“This music video is a cynical love letter to the flaws of generative technology. It flips the script on AI anxiety: the machine isn't trying to destroy humanity—it's just incredibly bored by us.”